Nikon announces AF-S version of the 50mm f1.4 lens with Silent Wave Motor. The Optical system is with 8 elements in 7 groups.
Press release:
NIKON CELEBRATES THE 75TH ANNIVERSARY OF NIKKOR OPTICAL EXCELLENCE WITH AN ALL-NEW 50mm f/1.4 PRIME LENS
75 Years Later and 45 Million Lenses Produced, the NIKKOR Pedigree Continues to Thrive with the Introduction of the AF-S NIKKOR 50mm f/1.4G Lens
MELVILLE, N.Y. (Sept. 22, 2008) – Nikon Inc. celebrates 75 years of defining optical excellence with the release of the newly engineered AF-S NIKKOR 50mm f/1.4 prime lens that is considered by many photographers to be an essential tool with a focal length that closely replicates the visual perspective of the human eye when used with an FX-format D-SLR. Nikon’s optical expertise and modern technological advances, such as the Silent Wave Motor, help to deliver outstanding operation that is critical for Nikon FX and DX-format photographers who demand the pinnacle of photographic performance.
Canon announces 24mm f/1.4 L II USM - fixed length L-series lens.
Press release:
The new EF 24mm f/1.4L II USM lens is the successor to Canon’s EF 24mm f/1.4L USM professional wide-angle lens released in 1997. Targeting professional photographers, the new EF 24mm f/1.4L II USM lens has been introduced to address the advancements high-resolution digital SLR cameras with re-designed optics and use of a new anti-reflection lens coating called SWC (Sub-Wavelength Structure Coating) to minimize ghosting and flare. Features such as dustproof and waterproof construction that have been adopted make this a high-performance lens with specifications that respond to the demands of professional users. A welcome complement to the EOS 5D Mark II Digital SLR camera, the EF 24mm f/1.4L II USM lens is scheduled to be in stores this December at an estimated retail price of $1,699v.
Nikon 18-105mm f/3.5-5.6G ED VR AF-S DX Nikkor Review by SLRGear.
The Nikon 18-105mm ƒ/3.5-5.6 definitely raises the bar for Nikon’s current lineup of kit lenses; consistently sharp, even at large apertures, with good resistance to chromatic aberration. Corner shading is prevalent, but it’s not a noticeable problem. Distortion is evident and irregular, but again, you’re probably only going to notice it if you need your straight lines to be absolutely straight.
The inclusion of VR to this level of lens is a welcome addition; we don’t have pricing for the lens individually, but there will finally be an alternative to the 18-200mm VR for users who don’t need that range of focal lengths. Nikon was able to improve the optical quality, reduce the weight, and presumably, the end price. It’s easy to recommend the 18-105mm to Nikon shooters as an excellent walk-around lens.
Recent Comments