Nikon D90 Review by Camera Labs

So the D90 won’t replace your camcorder, but it could complement it very well. Given a lens with a bright focal ratio, it can excel under low light while also delivering shallow depth of field effects. You could alternatively fit other types of lenses for special effects. It’s all about learning the D90’s foibles and working around them. Do this and you can have great fun with the video mode, but try and use it as a normal camcorder and you will be disappointed.
The earlier D80 was one of the best-performing 10 Megapixel DSLRs we’ve tested, and when fitted with the (admittedly superior) DX 18-70mm lens, is only a very small step behind its successor when equipped with its kit lens. In tests with other models we’ve also only measured subtle differences between 10 and 12 Megapixel DSLRs, so existing D80 owners shouldn’t upgrade to the D90 expecting a noticeably higher degree of resolved detail.
Read the full review here.
Some Nikon D90 Sample Videos from Vimeo.
D90 from Roland Cadieux on Vimeo.
Flowers by D90 from stoiQa on Vimeo.
Coffee from Christian on Vimeo.
D90 and HVX side-by-side test from Chronicle Project on Vimeo.
Tags: d90, Nikon, Sample Video

Nikon announces AF-S version of the 50mm f1.4 lens with Silent Wave Motor. The Optical system is with 8 elements in 7 groups.
Press release:
NIKON CELEBRATES THE 75TH ANNIVERSARY OF NIKKOR OPTICAL EXCELLENCE WITH AN ALL-NEW 50mm f/1.4 PRIME LENS
75 Years Later and 45 Million Lenses Produced, the NIKKOR Pedigree Continues to Thrive with the Introduction of the AF-S NIKKOR 50mm f/1.4G Lens
MELVILLE, N.Y. (Sept. 22, 2008) – Nikon Inc. celebrates 75 years of defining optical excellence with the release of the newly engineered AF-S NIKKOR 50mm f/1.4 prime lens that is considered by many photographers to be an essential tool with a focal length that closely replicates the visual perspective of the human eye when used with an FX-format D-SLR. Nikon’s optical expertise and modern technological advances, such as the Silent Wave Motor, help to deliver outstanding operation that is critical for Nikon FX and DX-format photographers who demand the pinnacle of photographic performance.

Canon announces 24mm f/1.4 L II USM - fixed length L-series lens.
Press release:
The new EF 24mm f/1.4L II USM lens is the successor to Canon’s EF 24mm f/1.4L USM professional wide-angle lens released in 1997. Targeting professional photographers, the new EF 24mm f/1.4L II USM lens has been introduced to address the advancements high-resolution digital SLR cameras with re-designed optics and use of a new anti-reflection lens coating called SWC (Sub-Wavelength Structure Coating) to minimize ghosting and flare. Features such as dustproof and waterproof construction that have been adopted make this a high-performance lens with specifications that respond to the demands of professional users. A welcome complement to the EOS 5D Mark II Digital SLR camera, the EF 24mm f/1.4L II USM lens is scheduled to be in stores this December at an estimated retail price of $1,699v.
Features:
- Wide 24mm focal length
- Fast f/1.4 aperture
- Aspherical and UD lens elements
- Subwavelength structure coating
- USM focus motor with full-time manual focus
- Floating internal focus mechanism
- Weather and dust seals
- Robust build quality
MTF Chart:


Nikon 18-105mm f/3.5-5.6G ED VR AF-S DX Nikkor Review by SLRGear.
The Nikon 18-105mm ƒ/3.5-5.6 definitely raises the bar for Nikon’s current lineup of kit lenses; consistently sharp, even at large apertures, with good resistance to chromatic aberration. Corner shading is prevalent, but it’s not a noticeable problem. Distortion is evident and irregular, but again, you’re probably only going to notice it if you need your straight lines to be absolutely straight.
The inclusion of VR to this level of lens is a welcome addition; we don’t have pricing for the lens individually, but there will finally be an alternative to the 18-200mm VR for users who don’t need that range of focal lengths. Nikon was able to improve the optical quality, reduce the weight, and presumably, the end price. It’s easy to recommend the 18-105mm to Nikon shooters as an excellent walk-around lens.
http://www.slrgear.com/reviews/showproduct.php/product/1221/cat/13



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