Dec 08


Fat City Reprise - Long Gone from Cesar Kuriyama on Vimeo.

Information

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Dec 07

Nikon S60 - Detecs up to 12 faces

Nice ad :)

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Dec 07

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Nov 27

Good comparison in four sections by nikonsb900.net

  • Key Differences
  • Animation Comparing size
  • Comparison Pictures
  • Full Tech Spec Chart

Compare Nikon SB-900 vs. SB-800

    http://www.nikonsb900.net/compare-vs-sb800/

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    Nov 22

    Sony A900 Review

    Sony A900 Review by Let’s Go Digital:

    I find it very unlikely that a skilled professional would switch to the Alpha 900. The competitors have too much to offer still.

    Read the full review here.

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    Nov 22

    Panasonic Lumix DMC-G1 Review at Digital Camera Review
    Panasonic Lumix DMC-G1 Review at Digital Camera Review:

    Having now worked with a production version of the camera, it’s safe for me to say it: the G1’s AF technology is truly impressive.

    Read the full review here.

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    Nov 22

    Sigma buys Foveon

    Press release:

    Kawasaki, Japan, November 11th, 2008 - Sigma Corporation (Location: Kawasaki, Japan) has acquired 100% of the stock of the company that developed the original three-layer image sensor, Foveon Inc. Foveon will continue its sensor development operations in San Jose, CA, USA.

    Foveon made history when it developed and patented the world’s first three-layer image capture technology, placing a stack of RGB pixels in each pixel location. As a result, Foveon sensors detect all three primary colors in every pixel location, producing images that are sharper and have significantly reduced image artifacts compared to competing image sensor technologies.

    Continue reading »

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    Oct 27

    Sony A900 Review

    Sony A900 Review by DPReview:

    In conclusion this is, more than anything else at this end of the market, a true photographer’s camera, with at least one totally unique feature (the Super SteadyShot stabilization) and one that offers the best viewfinder and highest nominal resolution (and the lowest ‘cost per megapixel, incidentally) in its class. It’s capable of stunning results at up to ISO 400 (and is fine at ISO 800-1600 as long as you’re not printing posters), and it is incredibly fast and responsive in use. If Sony had managed to keep the price nearer to the $2000 mark (even if this meant fewer megapixels) I think it would be flying off the shelves. As it stands it will, I fear, struggle to make a serious impression on anyone other than the Sony/Minolta faithful. One thing is clear, however: anyone who thinks a consumer electronics giant can’t make a heavyweight photographic tool is seriously misguided.

    Read the full review here.

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